Dhun asked, "Heaven-wards or in the other direction?"
"Why are you talking of above and below," Baba replied. "God is everywhere! It is mere illusion to speak of up and down. All is zero."
Dhun gave a witty reply, "Scientists know that there is no sunrise and no sunset, but we see it every day nonetheless."
Baba laughed and remarked to Begum Akhtar, "Dhun is very clever!"
The next morning, Monday, 6 May 1963, Baba gave private interviews to several persons from 7:00 until 9:15 A.M. Then he came and sat in the hall, where the Hamirpur lovers staged Bhau's play Prem Mahima (The Glory of Love). The play is a true story based on the early opposition of orthodox people in Hamirpur District who did not believe in Baba and violently opposed his lovers there, even to the extent of setting fire to their huts and destroying their crops. But in spite of their behavior, Baba's lovers won them over to his love. The drama, which would normally take six hours, was cut short to an hour and a half at Baba's request.
Baba was pleased with their performance and promised that he would visit Nauranga, where Meher Dham had been erected. At one point, there had been a controversy in Hamirpur over the construction of the center. Baba asked Bhau to write and explain what Meher Dham (The Abode of Meher) really means. He wrote a short play of the same name which he read out to Baba. Baba liked it, and it was sent to Hamirpur to be printed in Hindi.
Letters were received from Hamirpur in 1963, asking for another play. Baba instructed Bhau to write one in Hindi on the theme of faith in God. Bhau did so and the play, Vishwas (Faith), was read to Baba, printed and later performed in different centers throughout India.
Every year there is a special worship ceremony performed by the Hindus called Satya Narayan Puja.
One day after Vishwas was finished, Baba remarked, "People must also know what real worship is," and he ordered Bhau to write a play titled Puja (Worship), which explained it.
On 6 May, after the play in Guruprasad, Baba spoke about false saints: